A view of one of my work tables, where casts of Jane (BMR P2002.4.1) are set out for reference. |
October 4, 2014
I managed to work on the monograph at home this afternoon
for a couple of hours. In my final phase of writing the description, I have
been expanding it by adding relevant information from the literature.
I am doing this in three waves; in the first, I am adding
the phylogenetic characters of Brusatte et al. (2010) and Loewen et al. (2013)
to the description, without which the manuscript is static and lacks
some depth. In the second wave, I’ll add the characters of Holtz (2001) and
Currie et al. (2003); those four cladistic works will adequately capture the
specimen’s phylogenetic spectrum for the time being.
This process inevitably adds hundreds of anatomical details;
even if some of those characters were already in the description, explicitly
stating their phylogenetic nature will most benefit readers, and will shorten
their search time when they are skimming for characters to add in their own
data matrices. Also, this will assist readers in searching the
photographic plates for hard-to-see characters.
In the third wave, I will add the ontogenetic characters of
Carr (1999) to give a full profile of the skeleton’s relative maturity. This retrospective
approach will also help me to refine the actual attribution of some characters,
a detail that at times gets lost from work to work.
Today my writing efforts added five new pages, where I
finished adding the vertebral and hemal arch characters to the description, and
I started on the pectoral girdle.
Throughout this process I have been color-coding the
plesiomorphic (red highlight) and apomorphic (green highlight) states so that
later I can easily find them. The result of this chromatic tagging (which will not appear in the final ms, of course) will be
summarized in the Discussion, where I will describe the ontogenetic context for
the phylogenetic constellation of characters that are seen in Jane. Mundane
aspects, such as loose threads (e.g., features I need to double check, ratios
to obtain, etc.) are highlighted in yellow; I look forward to the day when the
manuscript is back to black and bone.
References Cited
Brusatte, S. L., M. A. Norell, T. D. Carr, G. M. Erickson, J. R. Hutchinson, A. M. Balanoff, G. S. Bever, J. N. Choiniere, P. J. Makovicky, and X. Xu. 2010. Tyrannosaur paleobiology: new research on ancient exemplar organisms. Science 329:1481-1485.
Carr, T. D. 1999.
Craniofacial Ontogeny in Tyrannosauridae (Dinosauria, Coelurosauria). Journal of Vertebrate Paleontology
19:497-520.
Currie, P. J., J. H. Hurum, and K.
Sabath. 2003. Skull structure and evolution in tyrannosaurid dinosaurs. Acta
Palaeontologica Polonica 48:227-234.
Holtz, T.R. 2001. The phylogeny
and taxonomy of the Tyrannosauridae. In
D.H. Tanke and K. Carpenter (editors), Mesozoic Vertebrate Life: 64–83. Bloomington:
Indiana University Press.
Loewen, M.
A., Irmis, R. B., Sertich, J. J. W., Currie, P. J., and S. D. Sampson. 2013.
Tyrant dinosaur evolution tracks the rise and fall of Late Cretaceous oceans.
PloS ONE 8:1-14.
You write:
ReplyDelete"Throughout this process I have been color-coding the plesiomorphic (red highlight) and apomorphic (green highlight) states so that later I can easily find them. The result of this chromatic tagging (which will not appear in the final ms, of course) will be summarized in the Discussion"
Wait, why isn't this useful? Color coding, or tone-coding, the text would actually be enormously helpful. It would allow the reader direct legibility while perusing the text and pull out concepts of the text. I'd imagine for discussions of relevant states, this would be extremely important.